"Phoenix. Har/Jar" reunites the members of the legendary rock band from the period before they left communist Romania in 1977, and highlights the important moments in the band's tumultuous chronology, from the first appearances in 1962 under the name "Sfinții" (the Saints) to the present day. The documentary presents, for the first time, the events that the musicians went through in the country, the relationship with the Securitate, the communist political police, their departure from Romania and the band's activity before and after the 1989 Revolution.

Ilie, a small-town police chief, wants to build a modest, comfortable life for himself, but ends up making the wrong choices. Middle-aged and alienated, he feels the need to a part of something - to build an orchard, even a home. Although dubious things happen in the village, Ilie only sees what suits him. The moment he gets involved in the village marks the beginning of his collapse. In a vacuum of solutions, he tries to be what he has never been before: the justice seeker who arrests everyone guilty.

"Why Do They Write on the Walls?" delves into the history and ideology of Romanian street art and graffiti, interwoven with interviews of the country's most renowned street artists. Started as an objective analysis of a counterculture, the film transforms into an intimate coming-of-age story of a young corporate employee who gets sucked into a world that is in total opposition to his own.

The documentary follows Peli and Nina, a young Roma couple striving to conceive a son in order to comply with local custom. While they live under tremendous strain and keep taking fertility and ultrasound checks, their respective families are disputing their rights in the chalice pledged by Peli’s father to Nina’s family when they arranged the couple’s match. The intricacies of this marriage are teased out by Peli’s sister, Bara, who provides a gripping confession about the women's lives in this community.

Bogdan, an innocuous ambulance driver, becomes involved in an armed robbery to support his ailing mother's medical needs. While fleeing from the scene, he accidentally hits a witness, who ends up in a coma. As Bogdan's paranoia intensifies, he immerses himself further into the lives of his accomplices, while causing major problems in his own.

“Between Revolutions" illuminates the letters exchanged between Maria, a Romanian, and Zahra, an Iranian, who forge a deep connection while studying together at medical school in 1970s Bucharest. The letters poignantly illustrate the challenges faced by everyday people, especially women, during the Iranian Revolution and Ceaușescu's repressive rule in Romania, juxtaposed with documentary footage portraying daily life and the widespread propaganda in their respective societies.

One night. Ten stories. A single city. Lică – the ‘know-it-all’ taxi driver – and Liviu – the ‘radio silent’ taxi driver – are good friends, although completely different, and their views on the world and life only intersect at the shawarma place. However, both are frustrated with the job they hope would earn them a decent living and maybe some savings until they find something better. For Lică, money comes first. For Liviu, it’s a more spiritual kind of fulfilment. At least until each of them starts thinking more about what they have, who they are, and what they can do with their lives. For them, a night shift across Bucharest is a true adventure where they meet people of all kinds – from young party goers and white collars to celebrities, DJs and even some shady individuals.